The most dramatic and moving of all the Rasleelas is the Maharas. This beautiful Rasleela is based on the Rasapanchodhyaya of Dashama Skanda of Srimad Bhagavata. More than a dance performance, Maharas is a sacred rite, a paean to the love of Radha and Krishna, an evocation of the deep yearning of human begins for a personal God and a spiritual communion between dancer, spectator and God.
Manipur Mail on January 10, 1996 wrote,
“Anjika Centre for Manipuri Dance and Movement Therapy in collaboration with Jawaharlal Nehru Manipur Dance Academy, Imphal presented a two-day session of Manipuri Maharas, in a scale and manner that was unprecedented thanks to the efforts made by Smt. Priti Patel, a prominent exponent of Manipuri classical tradition on behalf of Anjika several other associations and patrons in Calcutta as well as in Manipur... a cultural bonanza rarely to be seen outside Manipur.”
The Statesman reported on February 9, 1996
“The production was unique in that it included a number of distinguished gurus from Manipur. The outdoor performance of Manipuri dance not only brought alive legends but was also supported beautifully by a full moon in the background. The dialogues and the songs were in Meitei, the language of Manipur and it was amazing to see the dancers themselves singing. Their quivering voices remained strong and steady on high notes.”
Sunil Kothari reviewed in The Economic Times, Calcutta on January 13, 1996,
“Inspired by the Divine Flute...the presentation of the traditional Natasankirtana and the Maharasa on a full moon night...at Sangam, Fort William...the credit for that goes to Anjika, a young organization set up by Priti Patel to preserve and propagate Manipuri Culture. One was transported to a mandap in the bylanes of Imphal, Manipur... The Maharasa…was undoubtedly a sight for the Gods... as a lead Gopi Priti Patel was all grace… It was a breathtaking sight which took the audience to an altogether another place of awareness. It was the most fascinating sight and rarely does one witness it in Metropolitan surroundings...A commendable exercise in aesthetic presentation.”
On the full moon night of Kartik Poornima, Krishna to fulfil a promise, dances with the Gopis. When they preen themselves of their good fortune Krishna disappears. When Radha too falls prey to pride, He leaves her as well. Bereft of Krishna the Gopis and Radha weep and prey, beseeching the tress, birds and animals to help them find Him. Krishna rewards their devotion by reappearing, not as one but as several. For every Gopi there appears a Krishna and through His maya He dances with each of them in the ecstatic dance of union.
Ojha Pandit N Khelchandra Singh, Ojha Th Babu Singh, Ojha Ng Kumar Maibi, Ojha S Thanil Singh, Ojha E Choubhal Singh, Ojha L Lakpati, Ojha Bokuljhou Singh